The Lloyd Gallery
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18 Front Street, Penticton BC, V2A 1H1
250-492-4484

Les Dunlop

Click on image to view prices and titles. * Contact us to inquire about a piece. Ask us for gallery images of it!
LesDunlop-LittleBear45x2x2inches
dunlop62
dunlop61
dunlop60
IMG20231220180956
dunlop58
dunlop54
dunlop54
dunlop53-front
dunlop53
dunlop48


Partial archive of recently collected works: 
dunlop60
dunlop6
dunlop59
dunlop56
dunlop55
dunlop52
dunlop50
dunlop49
dunlop46
dunlop43
dunlop42
dunlop41
dunlop40
dunlop4
dunlop39
dunlop38
dunlop37
dunlop36
dunlop35
dunlop34
dunlop33
dunlop32
dunlop3
dunlop29
dunlop28
dunlop27
dunlop23
dunlop10
dunlop57
dunlop58b
dunlop58c
dunlop47

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All prices are unframed unless otherwise noted. In the event of a price discrepancy between online and in-store pricing, in-store pricing is considered correct.




About The Artist

I have recently moved to the Okanagan after spending most of my life in Kitimat, at the head of the Douglas Channel on B.C.'s north coast.

This region is known for its natural beauty and abundant wildlife - including wolves, whales and grizzly bears, all of which are frequent subjects of my work.

Bears particularly fascinate me. As an avid mountain biker, I've been fortunate to observe many of them in the wild. My work is inspired by these encounters. I sculpt bears because I am intrigued by their beauty, displays of emotion and obvious intelligence.

Stone is my chosen medium. From my first sculpting experience with stone in 2001, I was hooked. My connection with it was as natural and deep as it was immediate. I've worked in soapstone, wonder stone, jade, alabaster and slate. I enjoy all of these materials, but my favourite is soapstone. It polishes to a smooth finish and yields relatively easily to my tools - offering a creative freedom I've never experienced with any other medium.

My sculpting process is extreemly intuitive. Typically, I don't make a single cut into a peice of stone before understanding what that piece is going to be. Sometimes, that insight is immediate, while at other times, it takes weeks to emerge. When I do set to work, a creature's rough outlines and expression can emerge within hours.

As I sculpt, I incorporate the unique faults, textures and hues of each piece of stone. A single work can take anywhere from one day to three months to complete. A good part of this time involves finishing and polishing. I regard a piece as successful when it conveys an animal's unique personality and invites observers to reach out and touch it. My works express my personal style and artistic preferences. It's that much more fulfilling when other appreciate and choose to display my sculptures.